Pianist Druvi de Saram is among the few people who can say they have known Geoffrey Bawa almost all their lives. Their ties run deep. Druvi’s parents were old friends of Bawa, as were his uncle and aunt, Paul Deraniyagala—director of the Museum of Colombo—and his wife Prini, whose house was Bawa’s first independent commission as an architect in 1952. Bawa was a well-known art and music connoisseur, and moved in the same circles as Druvi, among Colombo’s artistic and social elite, often designing their houses along the way.
So, when Druvi and Sharmini de Saram approached Geoffrey Bawa in 1986 to help with the renovations to their eventual home, they didn’t anticipate the great man’s response: “No, I don’t want to do it”.
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